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    • Milan – June 19, 2018
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  • Readings
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  • About
    • XXII Triennale
    • Concept
    • Advisory Committee
    • Online Platform
  • Posts
  • Exhibition
    • Checklist
    • Thank you
    • International Participations
  • Public program
    • Milan – June 19, 2018
    • New York – January 14, 2019
    • Milan – March 1, 2019
    • Milan – May 2019
  • Readings
  • Links

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

Alexandra Daisy Ginsberg

Alexandra Daisy Ginsberg's experimental practice explores the values that shape design, science, and emerging technology, through the design of objects and fictions, and through writing and curatorial projects. Daisy has spent ten years researching synthetic biology and the design of living matter, and is lead author of Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature (MIT Press, 2014). In 2017, she completed Better, her PhD by practice in Design Interactions at London's Royal College of Art, interrogating powerful dreams of “better” futures and how they manifest in material things. She received the London Design Medal for Emerging Talent in 2012, and the World Technology Award for design in 2011. Daisy publishes, lectures, teaches, and exhibits internationally, including at MoMA New York, the Moscow Art Biennale, the Museum of Contemporary Art, Tokyo, and the National Museum of China, and her work is in museum and private collections.

© Fondazione La Triennale di Milano, 2018-2019 | Privacy policy | Cookie policy

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